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Avengers Endgame – The Biggest Marvel’s Blockbuster Of 2019

After over ten years of world-building, Avengers Endgame has finally been released. This blockbuster is a superhero film based on the Marvel Comics superhero...

Cannes Film Review: ‘The Angel’

An attractive but shallow portrayal of an attractive, shallow serial killer, based on a real-life, baby-faced murderer in 1970s Argentina. “Doesn’t...

Cannes Film Review: ‘Ash Is Purest White’

“Ash Is Purest White,” Chinese auteur Jia Zhangke’s most serious foray into the gangster genre since “A Touch of Sin,” is a winding tale...

Cannes Film Review: Jean-Luc Godard’s ‘The Image Book’

“The Image Book,” the new film from Jean-Luc Godard, premiered today at Cannes with a sense of momentousness. It felt as though we were...

Cannes Film Review: Michael B. Jordan in ‘Fahrenheit 451’

Can an adaptation of a 65-year-old book feel too futuristic? That’s the dilemma that HBO’s “Fahrenheit 451” TV movie, directed and adapted by “99...

TV Review: ‘Sweetbitter’ on Starz

At the risk of stating the obvious, television caters to two senses: sight and sound. Starz’s “Sweetbitter,” about a young woman’s beginnings in the...

TV Review: ‘Little Women’ on PBS

When the three hours of PBS’ “Little Women” finally draw to an end, it feels less like a coming-of-age saga than a mystery. How...

TV Review: ‘Patrick Melrose,’ With Benedict Cumberbatch

Even as a heroin addict, Benedict Cumberbatch is riveting. Through much of the pilot, the title character remains what he was bred to be: an...

Tribeca Film Review: Ethan Hawke in ‘Stockholm’

Stockholm Syndrome is a phenomenon we’re all familiar with — at least, in the abstract. In a hostage situation, some ordinary folks will start...

TV Review: ‘The Killing,’ The Final Season on Netflix

“The Killing” didn’t necessarily deserve an ending after its third-season cliffhanger, but the one-time AMC series — which went from sensation to scorned in...

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