Film Review: ‘The Guilty’

“Tom Hardy in ‘Locke’ meets Halle Berry in ‘The Call'” sounds like the kind of absurd pitch you’d hear from an over-zealous fictional producer...

Film Review: ‘A Girl Like Her’

March 30, 2015 3:40AM PT A conceptually sophisticated, emotionally manipulative drama about America's teen bullying epidemic. The causes and consequences...

Cannes Film Review: Jean-Luc Godard’s ‘The Image Book’

“The Image Book,” the new film from Jean-Luc Godard, premiered today at Cannes with a sense of momentousness. It felt as though we were...

Avengers Endgame – The Biggest Marvel’s Blockbuster Of 2019

After over ten years of world-building, Avengers Endgame has finally been released. This blockbuster is a superhero film based on the Marvel Comics superhero...

Film Review: ‘Dukhtar’

March 30, 2015 3:28PM PT A mother in Pakistan’s tribal north flees with her daughter rather than let her become a child bride...

Cannes Film Review: ‘Ash Is Purest White’

“Ash Is Purest White,” Chinese auteur Jia Zhangke’s most serious foray into the gangster genre since “A Touch of Sin,” is a winding tale...

TV Review: ‘Patrick Melrose,’ With Benedict Cumberbatch

Even as a heroin addict, Benedict Cumberbatch is riveting. Through much of the pilot, the title character remains what he was bred to be: an...

TV Review: ‘The Handmaid’s Tale’ Season 2 on Hulu

June Osborne is angry. What comes through clearly in the opening episode of the second season of “The Handmaid’s Tale” is June’s silent, burning...

TV Review: ‘I’m Sorry,’ From Andrea Savage

The comedian is very funny — but do we really need another sitcom about the private life of an indie comedian in Los Angeles?

Film Review: ‘In Her Place’

March 30, 2015 5:01PM PT An acutely observed psychodrama from sophomore helmer Albert Shin, powered by three sterling performances. An...

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